Friday, December 28, 2012

Q&A with Sexperts Em & Lo on Their New Book: 150 Shades of Play-- A Beginner's Guide to Kink




Hello Y’all,
Great news—I’m about to multitask here by ringing out 2012 and ringing in 2013 in a simultaneously sexy manner. I recently heard from my sexpert pals, Em & Lo, who’ve been writing about getting it on since 1999. Last time I saw them in person they were giving instructions on anal sex at a BookPeople presentation that was like a mashup of a Southwest Airlines pre-flight safety announcement and a Burning Man event. They just released their latest book, 150 Shades of Play: A Beginner’s Guide to Kink. And lucky me— lucky all of us!— Em & Lo sat down recently to tackle some of my questions. Herewith, their thoughts on how you can send out the old year with a bang, and ring in the new year with one, too. You can buy the book here. You can read more about it at 150ShadesOfPlay.com. And you can check out Em & Lo’s main website over at EMandLO.com

SG: Been awhile since I last heard from y’all! How about a recap for the nice people— y’all are, among other things, Sexperts. What’s your history writing together?

E&L: We’ve been writing together since 1999, which makes us veterans in this biz. Not the sexiest way of thinking about it, but we’re certainly a lot wiser on the topic than we were when we started! This new book is our seventh together, and they’ve all been about sex and love. We also co-hosted a 10-episode TV show based on our last book, SEX: How to Do Everything, which aired in the UK a few years back. (You would not believe what you can show on British TV!) That same book was named by the Guardian as one of the ten best sex guides of all time, alongside The Kama Sutra and Ovid’s Art of Love. We’ve written for numerous magazines, including New York, Details, Men’s Journal, Glamour, and Marie Claire, though these days we spend most of our time blogging about sex, love, and everything in between at EMandLO.com.

SG: You’ve got a new book out. Details! Title, where can we get it and will you be more likely to spank us if we do or don’t buy it? (Pardon lame attempt at humor.)

Yes! It’s called 150 Shades of Play: A Beginner’s Guide to Kink and it’s a sort of how-to companion guide to Fifty Shades of Grey -- except ours is well-written, has a sense of humor, and contains at least one gimp suit! And yes, we have been known to spank readers with signed copies of our book on request.

SG: The last time I saw you two, you were in BookPeople, dressed as flight attendants, calmly and pleasantly describing anal sex techniques, right? So this begs a question, or a few— to wit:
1.              Surely you hear some of the same questions over and over again such as... Well, give me some examples. I’m thinking quasi-lecherous, not-that-funny questions. But maybe I’m wrong?
2.              To ask a question that’s surely over-asked— how do you research this stuff?

1.  We do hear the same questions again and again, but the majority of the questions we get are surprisingly serious and polite. Sure, there’s the occasional request for photos of us tickle-fighting in our lingerie -- oh, if only people knew how unglamorous the life of a sex writer is! -- or the slightly disturbing question about whether you can catch an STD from a corpse (seriously, someone asked us that once, and we have a feeling they might have actually been for real). From women, though, the most common question is, “How do I orgasm?” or “How do I orgasm with my partner?” And from men, the most common questions are, “How can I get my partner to be okay with me watching porn?” and, of course, “How can I increase the size of my penis?”

2. We read a lot and we ask a lot of nosy questions and we talk to experts all over the world and we listen to what our readers tell us. And we’ve been doing this on a daily basis for fourteen years. It’s added up to a sort of self-directed expertise in the topic!



SG: So, okay, let’s be frank. I’m almost 50 now. I know, I know— I look good, right? And I have to say that while I still have my moments In Le Sac, some days, I’d rather be knitting, you know? What about y’all— you write about this sex stuff all the time, does it invigorate you or is it more like the joke about the gynecologist who comes home and is greeted at the door by his wife in a little sexy negligee and he says to her, “Oh honey, please, if I have to look at another one of those today....”

You look fabulous! You are fabulous. Anyway, yes, we hear you: Some days, we’d rather be knitting, too. And some days we’d rather be dishing out tips on cooking or gardening instead of directing readers to their G-spots and P-spots. It’s definitely easier to talk the talk than walk the walk when it comes to things like making an effort in a long-term relationship or breaking out of your comfort zone. Our husbands would be the first to tell you that it’s not all handcuffs and saucy lingerie when you’re married to a sex writer! (Or actually, they might just keep quiet to let you believe the dream.) But we would hope that, on balance, our sex lives are the better because of our career -- we’re more comfortable talking about sex and thinking about sex than most people, and we know what we should do, even if we don’t always do it. We definitely have a fabulous collection of sex toys that we could never have afforded otherwise! However, now that we both live in a small town, we do find ourselves frequently forgetting what is and is not appropriate dinner table conversation. Turns out, even in the age of Fifty Shades of Grey, not everyone is comfortable with the term “butt plug”!

SG: You’re going the self-publishing route this time. Since this blog is often visited by folks who want to know about the nuts and bolts of getting work out there, will you tell me a bit about how you came to decide on self-publishing, how the process is going, and what sort of expectations you have?

We’ve published six books the traditional route, with three different publishers, and we wanted to try something different this time -- especially as it’s such a sensitive topic. We wanted to have total control over the manuscript and how the material was presented -- which we guess makes us both “tops” in this matter! But mostly, we just wanted to turn this book around as quickly as possible to satisfy all the Fifty fans looking for more info, and this seemed the fastest route. After six books together, we have a pretty good idea of how to market a book, especially with the platform of our website, EMandLO.com, to work from. And since we last published a book, it seems that some of the stigma of “self-publishing” is lessening. So we decided to create our own imprint, Better Half Books, and release the book ourselves. It’s early days yet, but so far, we’ve been loving the process. It was an incredible amount of work to get the book out there -- more than we could have possibly imagined -- but now that it is out there, we’re thrilled. And when you’ve done it all yourself, every single sale is pretty exciting. Of course, we’d like to find ourselves getting excited about every thousand sales instead -- fingers crossed on that front!

SG: Along those lines, what about the marketing— you must be busting booty. You know, I just self-published a book, and I’m excited about that, but I’m tired just at the prospect of doing so much marketing, even though, if I think about it, I’ve had to do tons of my own marketing with my traditionally published books, too.

Yeah, we hear ya! But you’re right, no matter what route you take, you end up marketing your own book to some extent. Somehow, it seems more rewarding and less annoying when it’s for your own imprint. You can’t get annoyed that someone else isn’t doing their job because it’s actually your job. Which is not to say that the process isn’t exhausting! But the great thing about publishing your own book is that it’s much easier to keep track of sales, so you get immediate gratification after a successful marketing push.

SG: What’s next for y’all?

Marketing the hell out of this book! We think it makes a great Valentine’s Day gift, or an excellent form of inspiration if one of your New Year’s Resolutions is to improve your sex life. And we’re continuing to blog daily at our site, EMandLO.com.


Sunday, December 16, 2012

Meet Poet & Memoirist Deva Haney



Spike Note: A couple of years ago I was doing a mini-workshop at the Hampton Branch Library down south when a participant stood up and shared some of her remarkable story. After the meeting, I invited her to stay in touch. A year or so passed, and I thought of that woman a number of times, but never heard from her. Until I did. In August, 2011, Deva Haney showed up in my inbox and ever since I have had the exquisite honor and pleasure of being on the receiving end of many of her first drafts. I am so pleased to tell you that Deva just released her first chapbook, and on Tuesday, December 18, 2012, she will give a reading from that book, Until You Electrocute Everyone, at DOMY Books. I am honored to be giving the opening reading. I sure hope you'll join us. Here's a Q&A I did recently with Deva. You can get her book at DOMY and BookPeople or you can email me at spike@spikeg.com and I'll hook you up.

SG: You just had your first book come out-- tell me about it (title, contents, genre):
DH: It's a small green chapbook called Until You Electrocute Everyone. It's poetry culled from things I've written over time that I finally, after some encouragement, pulled together into one place. I'm really happy with it. It's the first thing I've put out, and it's really been enlightening just to know that it's possible to get yourself out there. 

SG: But you've actually been writing poetry a long time. The book's dedication refers to this. Will you tell me about that? 
DH: I have. My joke is that I've been writing since I learned how to spell. Poems, stories, really bad songs. I've found there's a severe difference between writing and writing songs, by the way. But the dedication, it's for my mom and it refers to a poem I wrote for her when I was a kid. It was for Mother's day, and my mom would tend to get emotional when I wrote her a poem, so I knew ahead of time that she was going to end up crying. The poem said a bunch of reasons why I loved her,' because you this'..'.because you that'...and the last line was 'because you're crying,' which she was by then, so I  got her with that one. It totally made me look psychic, though, which was cool. 



SG: Why poetry?
DH: Because I'm all made up of poetry. I feel like, when I write, even if it's working on things other than poetry, it still comes out through the poetry filter. It's just built in, and if something's going to come out, it's always going to be tinged with poetry. I realized, after I came out with Electrocute, that the very first thing I said I wanted to do when I grew up was to be a poet. And then approximately five minutes later I realized that, of course, no one can grow up to be a poet, because that's just not how it works. So when I got here, when I finally put together a book full of things I'd written when I really didn't even tell people I wrote, it was a huge personal accomplishment. I feel like there are a lot of folks out there who write and never really make a big deal about it. It's way more common than I thought.

SG: You've been in love with writing for a long time, you are a stunningly kickass writer, but you are only now sort of dipping your toes into putting your stuff out in public-- what held you back? 
DH: You know, again, writing is something that I've always just done, regardless of whether or not I thought I could get a job doing it or whether or not other people knew I wrote. I do like that about the way I write, the fact that no matter what I'm doing it always feels very personal, I'm very connected to it. But I think I met quite a few people who were like, Oh sure, I write poetry. It got to be this thing in my mind that just everybody probably did, so why make a fuss about it?  And then later, I was married with two kids and there wasn't much beyond the day-to-day routine to provide an opportunity to actually pursue the things I maybe wanted to do versus what I needed to do to make rent. Again, I think this is probably a really common thing. You do what you have to do, you get up with the baby ten times at night, and then again in the morning, and there's not much fuel left to put into your personal desires. I kept writing, I'll always write, but the fact that it wasn't going to be a focus in my outward life just started to be a given. I'm in a different situation now, and I have to say that it's both terrifying and liberating to put myself out there. I'm liking it. 

SG: Do you want to talk about the memoir you're working on?
DH: Yes. Before I put out this chapbook, or simultaneously, I guess, I started working on a memoir. I was in a car accident in 2009 on the night before Thanksgiving, and in that accident I lost my husband, my son, my daughter and my brother. At the time of the accident, I had just found out that I had been accepted into the nursing program at ACC, and I decided to go ahead with it. So, about six weeks after my accident I started nursing school, and two years later, when I graduated, I started working immediately. I did that for about seven months and then I just began to feel like everything was catching up with me, that I needed to stop and process, which I hadn't fully done yet even though I do it, in a way, on a daily basis. And the way that I process is to write. So I thought I should write about it. The other motivating factor was all the grief books I read. Almost down to a one, they didn't seem to fit, didn't seem to apply to me. I bought probably twenty grief books and I only finished one. That, to me, signaled an open space that I could fill, and if what I come out with helps someone like me, someone who tends to just half-finish and then throw grief books across the room, then I'll call it a job well done.



SG: So, yeah, that sucks that you lost your whole family. How do you even begin to write about that-- what are some chapter topics?
DH: Working on this memoir has been incredibly difficult. It has been one of the hardest things I've ever done. It was the first time I really buckled down and made myself write compared with just letting something flow out of me, and it's very, very hard. At times it has been positively visceral, I've gotten shaky, I've taken fifty smoke breaks. I talk about very concrete things, like planning funerals and all the million things involved with that that nobody thinks about, especially when you have to plan three of them at once. But I also talk about the general things that happen when your life changes as mine has. Like the things that people say to you when they discover that you're harboring a loss that great, and let me tell you, people will and do say almost anything you can imagine. In the book, I talk about the best and worst comments that people have made. I hear a lot about people's dogs dying. I had a hairdresser suggest that maybe my kids weren't wearing seat belts. And the best thing anyone ever said to me, a very simple and heartfelt, "That sucks."

SG: What's your process-- glue your butt to the chair? ADD? a combo? 
DH: Yeah, I'd say it's a mixture. The holidays can really take their toll on me, so I've been nice to myself and haven't been pushing too hard right now when I feel like there's enough swirling around in my head already. In general, I'd say I give myself little nudges, not exactly like 'I'm not going to leave this chair until there's two pages finished, damn it!' But I try to clear out a day here and there so that I have no other obligations, and sometimes that frees me up enough for something to come out. When I do write, say if I'm working on a chapter, I tend to write for hours and just get through it to the end, rather than nibbling at it over several days. But all of this talk about process, it's really contingent on my mood, so I definitely go back and forth with the way that I work. 

SG: You have a nursing degree but you decided to put that career on hold while you work on your memoir. How does that feel? Liberating? Terrifying? 
DH: Both! I have some guilt, too. Like maybe I shouldn't be wasting my education just writing poetry. But when that thought comes up I counter it with the fact that I'm really happy right now, doing just what I'm doing. I've met some amazing people, I'm working through things with the memoir, I'm learning to be a little nicer to myself. I do feel a little awkward when I see people that I haven't run into in a while, and they ask how nursing is going, and I have to give them the little run down. But mostly, people are really supportive. It was a big decision, but I feel so much happier, like a weight has been lifted. I'm completely okay with taking a break from nursing. I have a hunch that I'm doing what I'm supposed to be doing, so as long as I go with that I can't beat myself up too much about anything I'm not doing. 

SG: You self-published your poetry. Tell me about that process please.
DH: Honestly, I found it really refreshing. I don't know why more people don't do it. I had a lot of preconceived ideas about publishing before I came out with the chapbook. Fortunately, I guess, I don't have to find out just yet how many of them are true, because it turns out, you really can just do it yourself. I had a lot of help and support throughout the process, but really it wasn't as scary or impossible as I'd pictured it being. You want something published? It can be done. I'd love to help more people do it.

Big Red shows off Deva's book at BookPeople
SG: How did it feel to get the books and hold them?
DH: When the books came in, it was unreal. I had been stalking the tracking number like a serial killer for days, and when the box showed up and I saw stacks of books with my name on it, well, nothing says you're a writer more than a book you've written that you can hold in your hands, does it? It was very affirming. 

SG: Your writing often has such a meta quality to it-- are you able to easily and instantly just tune into the running commentary in your head and just shoot it through your fingers to the keyboard?
DH: Ha, I guess if you say so. I feel very much like a conduit when I'm writing, so I can't say how it works with as much honesty as I'd like. Sometimes I feel like I'm taking an easy way out or something, all this writing down what I'm thinking. I'm still surprised sometimes when it resonates with others, and delighted, too, of course. But yes, it often just shoots out. I had a bad day at work last week and during my entire commute home, I let things kind of roll around upstairs and when I finally parked the car and sat down on the couch, I was like, I am gonna write about this so hard! And I did, and I felt much better for it. 

Wednesday, December 5, 2012

Q&A With Sandy Rankin, Author of Pearl Street Memories

Today I present my wonderful friend, Sandy Rankin. Sandy just self-published an excellent autobiographical novel, Pearl Street Memories. I allegedly helped her with the process, but in the end she really helped me more. Together we figured out all this business with ISBN and copyediting and cover design and uploading files and on and on. Without her inspiration, I would not have been able to put out my new book.

Beyond process, I also learned so much from reading Pearl Street Memories. Sandy is both a great storyteller and a great writer. Some of the tales in the book are pretty intense, but somehow she manages to deliver the news with more than a small note of hope. I am so inspired by what she's done, what she's dealt with, how she's dealt with it, and how she lives her life. 

On Wednesday, December 12, 2012 (yes, 12/12/12), Sandy and I will both be debuting our books at BookPeople at 7pm. I sure hope you can join us. Meanwhile, to tide you over, here's a Q&A with Sandy. Congratulations, Sandy!




This is your first book, right? Tell me a bit about it.
Yes this is sorta my first book…..I was also working on a children’s  book and a murder mystery at the same time.. so essentially working on three books at once.  When one gets away from me I go to another.  Good distraction!

You've been writing a long time-- what else have you written?
For years……mostly medical articles, medical posters….  Also did a little editing of medical articles for Mosby, Inc.  in the past,  plus …. long letters to friends and ex boyfriends…does that count?

Pearl Street Memories is presented as fiction-- but it's autobiographical fiction, right? Why did you go this route instead of non-fiction?
Each story has a kernel of truth, but the true story would be so boring.. so you have to add to it! Yes,  this book is somewhat autobiographical… and  there are some stories that have been told to me…  I think stories of peoples  lives are so interesting.  For a long time I did volunteer work as a “buddy” for AIDS services.  I heard some awesome, interesting stories… Not just sad stories, but fun, laugh out loud stories about lives, about how people react in different situations… stories that would just grab you!!  I like to collect stories-- I write them down!

What were some of your bigger challenges writing this-- and you can touch on anything from writers' block to not wanting to reveal secrets to whatever you wish.
Worrying about hurting people that are still alive.  Luckily (for me, not them)  most of these people have passed away.  

There's some real trauma in these stories. And you work as a trauma nurse. What's the overlap-- did having trauma in your life lead you to want to care for others in trauma?
Trauma  is interesting.  A pretty startling statistic is that when families experience real trauma, most of the time, the family is destroyed.  There are divorces, etc.   This happened to Stella.. as it often does…I see that almost every day where I work.. Families fall apart.. or as ‘Spenser” said… “the center falls apart, it cannot hold”…. When I care for a patient, their family.. I can feel real empathy for them… people pick up on this… without being told, they know I can help.  They know I have ‘been there’.

What's your process when you sit down to write?
I write for long periods of times.  First I think about where I won’t the story to go. then just sit down, write and let it appear in my consciousness… I let the characters speak for themselves  I know a lot of writers never rewrite, but I do.

What was your goal when you first decided to write the book? Has the goal changed/grown?
I wanted to portray how the choices that are made by people can influence us all through out our lives.  A decision may influence and then disappear.. and the influence appears again.. later in life.  With Stella…..choices that were made, people that influenced her very, very early in her life.. still influenced her until the end of her life,  end of her story. I think the unconditional love her grandparents gave to her.. was reflected in each story.

Were there any surprise benefits you hadn't foreseen-- for example in my writing, I felt so my better after I published some of my stories. I unburdened myself. I felt some relief.
Yes.. There was a great catharsis with this book.  It was as though I was putting something to rest. With my next book…..I just so enjoyed the writing, the story, the process. I was sad to see the story end…. but also happy with the ending!

What fears/nervousness did you have during the process of publishing?
Well.. self publishing is not easy. They ( the publishing companies.) do not make their sites
 "User friendly.”  Also, I am a nurse, I do not have much money.  I had saved money to do this…..so I was worried  I might run out of money.  But self-publishing is allowing new and good writers to get their stories out in the public, instead of just a few authors telling a few select stories. This was what happened in the past..before self-publishing.

Why self-publish-- do you recommend that?
You know.. there are so few agents really interested in helping new writers.. You can submit and submit.. but the truth is, this is just like the entertainment business. It is who you know.  I do not care how good of a writer you are, how good your story is. If you don’t know someone, you gotta self-publish!!  And if you are “older” ha.. Ha….forget it! Look at John Grisham.. He drove around for several years with his book in his car trunk.  No one would hear him, even look at his book.. He sold books for two, three dollars…But.. like him.. you can’t give up.. you jut keep writing your stories!

What else are you working on?
I am working on my Murder Mystery. “True Fiction." And it is MY book, but  I gotta brag-- it is  good. It is really good!! I can’t wait for people to read it!! It is set in Austin, moves to Lampasas, then to Pittsburgh, then to St Louis, and back to Austin and the  gulf coast. Good interesting characters.. odd romantic twist…. A smidge of politics….

Monday, December 3, 2012

Writing Workshop Coming Right Up! Sign Up Now!

Because sometimes writing in a room of one's own fosters procrastination, nose-picking, and web surfing. Sometimes, it's good to meet with a group. Try it and see!

Well dagnabit if 2013 isn't immediately around the corner. The first six-week writing workshop of the new year doesn't start til January 31st. But if you're itching to get a jump on your writing before then, may I suggest a super awesome writing & yoga retreat I am co-hosting with the amazing Cindy Scovel? That is a one-day event, on January 5, 2013. I sure hope you can join us. Click here for the details. 

Meanwhile for those of you who want to join in on the six-week workshops, these are ongoing throughout the year. The first session will meet on 1/31, 2/7, 2/14, 2/20 (<-- that's a Wednesday as opposed to our usual Thursday meeting), 2/28 and 3/7. We meet from 7 til 9 pm. Cost is $250. Location is central-- 3400 Kerbey Lane. A $50 deposit holds your space. And space is very limited, so don't wait to sign up. Email me at spike@spikeg.com to sign up.

If you really want to commit to putting your story down in words this year, bear in mind that after you attend your first six weeks, I offer a steep discount for additional sessions. So please, consider signing up and continuing with us for ongoing sessions. Many folks do. You will change your life for the better-- I promise. And don't take my word for it. Check out the testimonials page.

I should also note that I will be taking on a very, very small number of one-on-one clients in 2013. Happy to coach you in putting your story down, revising, and even publishing it. These sessions are intense in a good way and involve online and f2f coaching. To sign up for one-on-one coaching, email me at spike@spikeg.com