Friday, June 29, 2012

Word Up: Time for Another Reading at Hyde Park Theatre



Hey Y'all,
The Write with Spike Workshop folks are preparing for another public reading of their works. We've had great readings in the past at Hyde Park Theatre and at The Snug. This time, we're heading back to Hyde Park Theatre and we've got a baker's dozen in the lineup for what promises to be a most excellent evening of sharing. Details are below-- please help us spread the word.

Word Up
An Evening of Readings at Hyde Park Theatre
Hosted by Spike Gillespie

Tuesday, July 24, 2012
7 pm til 9 ish
$5 suggested donation at the door. 
Refreshments available for cash donations.
Sorry-- this is not an event for little kids.

Saturday, June 23, 2012

Memoirs I Dig




Someone from workshop asked me to list my ten favorite memoirs. I'm pretty sure I can't accurately do that-- I read so many books, I have read so many books. And when I am in the throes of a good book, I make a mental note to never forget it. But I've forgotten lots of them. That said, here's a list of memoirs I really dig-- most for the writing, but a couple for other reasons (which I will explain).

Personal History by Katharine Graham
My Life by Isadora Duncan
My Life in France by Julia Child and Alex Prud'homme
The Things They Carried by Tim O'Brien (categorized as fiction)
A Fan's Notes by Fred Exley (categorized as fiction)
Running with Scissors by Augusten Burroughs
Drinking: A Love Story by Caroline Knapp
Permanent Midnight by Jerry Stahl
The Liar's Club by Mary Karr*
All the Wrong Men and One Perfect Boy by Me*

 Probably as soon as I hit publish here I'll think of more. I guess if that happens I'll just add them in the comments sections. A few brief notes about the above list. The Liar's Club is a really good book, in and of itself, but I'm not sure it would make a Top Ten List (if I really had one). I included it here because, like so many memoirists, I owe a huge debt of gratitude to MK. When her book went viral (before going viral was even an expression) it swung open the door wide for a lot of writers to get contracts to write memoirs. I was one of them, and in 1999 Simon & Schuster contacted me to ask me to write All the Wrong Men and One Perfect Boy. I included that book on my list not to be a smart ass. I included it because a) getting that book published fulfilled a dream I had held since I was eight to be an author when I grew up and b) I couldn't know it at the time, but putting all that down on the page was the first step on a very, very long path of healing. I will also add, even though it's going to sound entirely too self-congratulatory, I about peed my pants when the book got a starred review from Kirkus Reviews. Shit, I didn't even know what Kirkus was when I got the news, but it was explained to me, and I was pretty psyched.

Now, a couple of things not on the list-- I love just about every essay David Sedaris has ever written and I do count his work as memoir, but the above books are beginning-middle-end narratives, not essay collections. Anyway, Sedaris is a genius. Also, somewhere around here (unless I lost it) I might still have a collection I picked up a long, long time ago-- it was letters that women who were bound westward in the 1800's wrote home (maybe it was journal entries?) to let those following behind know what to expect. This was not "writing" in the sense of some highly stylized voice or memoir as we know it today. Mostly, if I'm remembering right, it was more of a general accounting, something practical. And those letters were truly harrowing, stories of giving birth in covered wagons, babies dying and being buried along the trail in unmarked graves, never to be visited again, that sort of harrowing. I think I picked that one up on a trip to Utah ages ago. I really dig going to little museums around the country and picking up these obscure books-- stories of the history of a place that weren't written with an eye toward NYT bestseller list, but a burning desire to preserve the tales of people who lived at a certain time in a certain place.

I just remembered another memoir I really dug-- Perfection by Julie Metz. I devoured it. Not to give too much away, but Metz's husband dropped over dead of a heart attack at 44. In the aftermath of that devastation, she learned he'd been a multi-partner cheater. And the plot thickens from there. One of my favorite parts of the book? There's one section in particular, when she confronts one of the women in question, and she does not hold back in her hatred. No, no, I'm not advocating hatred here. I'm just saying she didn't gloss over her feelings in that moment, and it really packs a tremendous punch.

Okay, I'll post this now and wait for the ones I forgot to come pouring in. And y'all? Favorite memoirs?

Tuesday, May 15, 2012

Q&A With Pam Houston

Photo Credit: Adam Karsten

Y'all-- I know I usually run author interviews over here, but in the interest of getting some more traffic for my Pam Houston interview, I went ahead and posted it over at my spikeg.com blog. Please do check it out. Pam is one of my absolute favorite writers and she made a lot of time to answer my endless list of questions. She'll be at BookPeople on May 26, 2012 at 7 pm reading from her new book, Contents May Have Shifted, which is magnificent. 

Summer Writing Workshop Registration is Open





Hey Y'all,
The next Six Week Writing Workshop runs Thursdays, June 14 - July 19, 7 - 9 pm. Cost is $300. I'm running a little special between now and May 31-- $250 total. 

About the workshop: this is for folks who are into first person/memoir/blog writing. It is not a fiction workshop. Also, please note that while in some ways this series might resemble a more "traditional" (whatever the hell that means) workshop, we also veer off down many roads along the way, so plan on attending with an open mind. You'll have a chance to work on your writing, present it in class (if you want), and garner feedback from teacher and group. You'll learn (a little bit) about the business side of writing and (a lot about) the ways writing can make your life a whole lot better.

Above all you'll have a safe, positive environment to work on your writing, whether you're new to the practice or have been keeping a diary since first grade. All levels welcome, and all goals welcome whether you are hoping to "just" write for release or have your eyes on a book contract down the road.

Spaces are extremely limited as very often folks choose to return again and again. Seriously, that's how much fun we have. So if you want in, send me an email real soon. Once again, the details:


Thursdays June 14 - July 19, 2012
7 pm til 9 pm
SOL Studios 3400 Kerbey Lane

$300 

*Discount for returning students

Thursday, March 22, 2012

Q&A with Kim Green, Author of hallucination


Y’all,
Allow me to introduce you to Kim Green, an author from Atlanta who will be in town for a reading at BookWoman on April 3rd at 7 pm. I haven’t met Kim in person (yet) but, among other things, Kim represents the power of friendship. I could say networking but that’s a cold term that hardly captures how we found one another. As it happens, I was recently part of a fundraiser event for Fusebox Festival when I ran into my old friend Bruce Hughes, bass player extraordinaire and damn fine songwriter and guitarist, too. Bruce told me he had a friend, Kim, who has a book coming out, and that we should meet. I asked him to connect us. And then, lo, I got an email from Kim.

Kim’s new book, hallucination, just came out. I’ll let her tell you about it below in the Q&A. Kim is part of the brave new world of self-publishers, taking matters into her own hands so she can control the message and the audience. Believe me, I have worked with some really crappy book publisher marketing departments in my day, so I applaud Kim. I also ask you to give her a hand— contact her if you know an independent bookstore where she might give a reading, tell your friends and, of course, ORDER THE BOOK!

Thanks. And now, without further ado, my interview with Kim Green.

You’ve got a new book out— tell me about it, please: 
My novel is called “hallucination.” The small “h” is deliberate. The novel is about an African American woman who is diagnosed with Lupus at the “prime of her life.” The incurable debilitating chronic disease is the catalyst for a major life overhaul when the character, Morgan’s, husband abandons her, her body fails, her career is lost and she is suddenly a single mother with no one to turn to except herself. She finally sees that the ultimate cure for her body is to heal her heart by loving herself. 

Tell me about you and writing— how long have you been at it, what stuff have you written? 
I have been a writer for as long as I could hold a pen. As a young child growing up in New York City, I used to play “school” even instead of playing “house.” I would create an imaginary classroom and I was the English teacher. I would assign essay questions and then proceed to write several different essays and then grade them all. I was a nerd! I have always been drawn to writing and words. I was an entertainment journalist for over two decades and a record executive for several years as well. At Sony Music I wrote all of the marketing materials for acts like Sade, Public Enemy and even Andreas Vollenweider. As a music journalist I have interviewed David Lee Roth, David Byrne, Laurie Anderson, Patti Labelle and Tupac Shakur and that is a very short list.  I am a music fanatic. I also was the ghostwriter for Fantasia Barrino’s (American Idol winner) best selling memoir, Life is Not a Fairytale.  My essays and short stories have also been included in several anthologies.

Is hallucination self-published and is it only e-book or also print? 
It is on Amazon.com, Barnes & Noble.com and it is an ibook. hallucination is also in print as well as in all of the electronic formats. It is also carried in several indie bookstores if they’ll have them! That is what the readings are for…to convince the indie bookstores that it is worth carrying. 

Please tell me about your decision to self-publish. 
I am self-published by choice.  I have had agents and book deals in the past for other projects. As an African American woman who is a writer, I have experienced the terrible job that mainstream publishing houses do with books written by African Americans. They usually dictate the cover design, the content and the marketing efforts – gearing those books only toward African American audiences. Because I feel my story is a woman’s story, and auto-immune diseases strike mostly women, I knew my story was universal. Because of my experience in music and entertainment, I hoped I could pull together my past experience and some of the great experts I know in Marketing, PR, technology and launch the book myself…I am aware that it will be a very slow-building buzz, but at least I will be in control and I can direct the book and the message to a broader audience without a detached corporate executive deciding “who would be interested and who wouldn’t.”  The other thing that I love about self-publishing is that the sky is the limit with how you market and who you align yourself with. You just have to be creative. I don’t think a novel has ever had a theme song!

Needless to say, the hardest thing about being self-published is the financial obligations in order to do it correctly. That has been a bit of a strain, but the gratifying feeling of sharing hallucination with whom I want to and making sure that it is in alignment with my own vision for the book, makes it all worth it.

I have always had an entrepreneurial spirit and not a very corporate one, so this was a natural fit for me. I think going the traditional route is quite difficult and even after getting a “deal.” Many of the books with deals have been “put on hold,” placed on the 2016 calendar or even “killed” altogether.  I saw it daily when I was in the music business. There is so much disappointment in the traditional publishing fields whether it is music or books.  No wonder artists drink!



Marketing these days is a real bitch. But, for example, you contacted me because we have a common friend, Bruce. What other things are you doing to market the book?  Because I am a music fanatic, I am thinking outside the box and much as I can. I was able to pull a song from an upcoming album from an established vocalist, Kelli Sae, and asked her if I could use her song for the title character’s theme song. The song is perfect for Morgan’s plight and Kelli Sae loved the idea. The CDs are given away at readings to go along with the experience of reading the book. The cover art is a painting by an artist D. Lammie Hanson of whom I already collect her work. The painting struck me and I had to have it. Because I have always been a fan of her work, she was willing to work with me on hallucination.

The book is also about learning to love yourself. And so in response to the question, is hallucination a love story? I always say yes it is. “It’s about falling in love with yourself.”  I created bumper stickers with the Atlanta audience in mind that simply gives my website address: www.hallucinationthenovel.com and the line is simply “Fall in love with yourself.” It has been quite effective. 

These type of marketing efforts show that the book is about something deeper and meaningful. Besides those things, I have done all of the electronic things that I needed to do; a website, a book trailer, A Facebook page, and a twitter account. I admit I am still slowly learning how to synchronize them all, but the pieces are in place. I think the most important thing that I can do is to continue to spread the word in as many markets as I can afford to visit.  I do as many readings as I can, give things away that “brand” the book. I am also working with book clubs which is a very organic way you can build a fan base. Once readers connect with the author they are no longer just telling other people about “a book.” They are telling people about a real person with a real story or cause. It makes a big difference. Also, I am trying to form an alliance with the Lupus Foundation of America but having the book vetted by them is a grueling process and I can’t afford to wait for them. It is my hope that they will get on board since I plan to donate a portion of proceeds to them. Although LFA is a non-profit, it is still a corporation, which makes it a bit slow and perilously unresponsive. I am also starting to get publicity online, on radio and hopefully in a few print vehicles as well.  My publisher, booklogix.com is also putting a billboard of hallucination on the most major freeway in Atlanta for a week in a couple of weeks. He came to my book launch party and saw that hallucination makes Booklogix look good too. They have been phenomenal to work with!

You’re coming to Austin in a couple of weeks- been here before? 
I have never been to Austin and I am so excited. I have heard so many amazing things about it. I love that hallucination has a musical component and I hope that the audience enjoys the book and the theme song. I am looking forward to the signing at BookWoman on April 3rd at 7:00pm. I hope that my reading entices people to want to buy the book. It would be ideal if there were a few “plants” in the audience who knew about the book or had read it…Good questions from readers always make the Readings even better.

 What are you working on now? 
I am working on another ghost writing project and I am also starting to pull together the memoir that I am writing about caring for my father the last six months of his life.

And what’s life like when you aren’t writing— what else do you do? 
I take care of my 9 year old son who is quite an experience! And when I am not caring for him, I lead a couple of writers’ groups in Atlanta and I conceived and produced a woman’s writing conference called Getting in Touch with the Source which will be done again in 2013 in Atlanta. And when all of that is done and I am still not writing, I think about what else I can write!

What else would you like to tell me?  
I am so grateful to Spike Gillespie for including me in this blog and I am so grateful in advance for any one who will  be at my reading at BookWoman on Tuesday, April 3rd at 7:00pm. I assure you that they will get something good from it. If nothing else, they will get a free CD and bumper sticker!  This a music town isn’t it?


Sunday, March 18, 2012

Next Writing Workshop Coming Up Pretty Soon!


Writing is cool. Note the sunglasses and hipster soul patch. 


Hey Y'all,
The next Six Week Writing Workshop begins during the birth month of Le Bard. It runs Thursdays, April 12th - May 17th, 7 - 9 pm. Cost is $300* and includes one-on-one coaching via email over the course of the six weeks. (Note: this coaching pertains to writing done in regards to class assignments. If you're looking for help with a manuscript consider hiring me as your private writing coach.)

About the workshop: this is for folks who are into first person/memoir/blog writing. It is not a fiction workshop. Also, please note that while in some ways this series might resemble a more "traditional" (whatever the hell that means) workshop, we also veer off down many roads along the way, so plan on attending with an open mind. You'll have a chance to work on your writing, present it in class (if you want), and garner feedback from teacher and group. You'll learn (a little bit) about the business side of writing and (a lot about) the ways writing can make your life a whole lot better.

Above all you'll have a safe, positive environment to work on your writing, whether you're new to the practice or have been keeping a diary since first grade. All levels welcome, and all goals welcome whether you are hoping to "just" write for release or have your eyes on a book contract down the road.

Spaces are extremely limited as very often folks choose to return again and again. Seriously, that's how much fun we have. So if you want in, send me an email real soon. Once again, the details:

Thursdays April 12th - May 17th
7 pm til 9 pm
SOL Studios 3400 Kerbey Lane

$300 
*Discount for returning students

Monday, January 30, 2012

Next Six-Week Workshop Coming Right Up!

Why did the chicken cross the road? To procrastinate. Why did the chicken sign up for Spike's writing workshop? To learn how to quit procrastinating!

Hey Y'all,
The next Six Week Writing Workshop runs Thursdays, February 23 - March 29, 7 - 9 pm. Cost is $300* and includes one-on-one coaching via email over the course of the six weeks. (Note: this coaching pertains to writing done in regards to class assignments. If you're looking for help with a manuscript consider hiring me as your private writing coach.)

About the workshop: this is for folks who are into first person/memoir/blog writing. It is not a fiction workshop. Also, please note that while in some ways this series might resemble a more "traditional" (whatever the hell that means) workshop, we also veer off down many roads along the way, so plan on attending with an open mind. You'll have a chance to work on your writing, present it in class (if you want), and garner feedback from teacher and group. You'll learn (a little bit) about the business side of writing and (a lot about) the ways writing can make your life a whole lot better.

Above all you'll have a safe, positive environment to work on your writing, whether you're new to the practice or have been keeping a diary since first grade. All levels welcome, and all goals welcome whether you are hoping to "just" write for release or have your eyes on a book contract down the road.

Spaces are extremely limited as very often folks choose to return again and again. Seriously, that's how much fun we have. So if you want in, send me an email real soon. Once again, the details:

Thursdays Feb 23 - March 29
7 pm til 9 pm
SOL Studios 3400 Kerbey Lane

$300 
*Discount for returning students